PreSonus StudioLive 64S manual
PDF manual · 159 pages English
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- 1 Overview
- 1.1 Introduction
- 1.2 About this Manual
- 1.3 Companion PreSonus Products
- 1.4 What’s in the Box
- 1.5 Additional Resources
- 2 Getting Started
- 2.1 Level Setting Procedure
- 2.2 Useful Concepts
- 2.2.1 Select Buttons and the Fat Channel
- 2.2.2 Fat Channel Plugins
- 2.2.3 FlexMixes
- 2.2.4 Fader Layers
- 2.2.5 DCA Groups
- 2.2.6 Recording and Playback
- 2.2.7 Digital Patching
- 2.2.8 Projects, Scenes, and Presets
- 2.2.9 User Profiles
- 3 Hookup
- 3.1 Rear Panel Configurations
- 3.1.1 StudioLive 64S
- 3.1.2 StudioLive 32S
- 3.1.3 StudioLive 32SX
- 3.1.4 StudioLive 32SC
- 3.1.5 StudioLive 32 (Blue Model)
- 3.1.6 StudioLive 24 (Blue Model)
- 3.1.7 StudioLive 16 (Blue Model)
- 3.2 Rear Panel Connections
- 3.2.1 Analog Inputs
- 3.2.2 Analog Outputs
- 3.2.3 Digital and Networking
- 3.2.4 Power
- 3.3 Top Panel Connections
- 3.4 Typical Band Setup Diagrams
- 3.5 Typical Church Setup Diagrams
- 4 Basic Mix Functions Overview
- 4.1 Channel Strip Basics
- 4.2 Fader Layers and Banks
- 4.2.1 User Fader Layer
- 4.3 Filter DCA Groups
- 4.3.1 Creating Filter DCAs
- 4.3.2 Editing or Deleting a Filter DCA Group
- 4.3.3 Managing DCA Group Masters
- 4.3.4 DCA Group Options
- 4.4 Main Meters
- 4.5 Talkback System
- 4.5.1 Talkback Edit Screen
- 5 Buses and Routing
- 5.1 FlexMixes
- 5.2 Aux Mixes
- 5.2.1 Pre/Post Channel Sends
- 5.2.2 Creating Aux Mixes
- 5.2.3 Working with External Effects Processors
- 5.3 Subgroups
- 5.3.1 Creating a Subgroup
- 5.3.2 Fixed Subgroups (32-channel models only)
- 5.3.3 Creating Instrument Subgroups
- 5.4 Matrix Mixes
- 5.4.1 Creating a Matrix Mix
- 5.4.2 Creating a Front Fill Mix
- 5.5 FX Buses
- 5.5.1 Creating Internal Bus FX Mixes
- 5.6 Main Mono/Center Bus (StudioLive 64S only)
- 5.6.1 Mono Bus Mode
- 5.6.2 LCR Mode
- 6 The Fat Channel
- 6.1 Overview
- 6.1.1 A/B Comparison for EQ and Dynamics Settings
- 6.1.2 Copy/Paste & Preset Load/Save
- 6.2 Fat Channel Navigation
- 6.3 Input Mode
- 6.4 Gate Mode (Dynamic Fat Channel)
- 6.4.1 Dynamic Fat Channels Controls
- 6.5 Compressor Mode (Dynamic Fat Channel)
- 6.5.1 Standard Compressor
- 6.5.2 Tube Leveling Amplifier
- 6.5.3 Class-A FET Compressor
- 6.6 EQ Mode (Dynamic Fat Channel)
- 6.6.1 Standard EQ
- 6.6.2 Passive Program EQ
- 6.6.3 Vintage 1970s EQ
- 6.7 Aux Sends Mode (Dynamic Fat Channel)
- 6.8 Fat Channel Screens
- 6.8.1 Channel Overview
- 6.8.2 Channel Settings Screen
- 6.8.3 Gate Overview Screen
- 6.8.4 Compressor Overview Screens
- 6.8.5 EQ Overview Screens
- 6.8.6 Aux Sends Overview Screen
- 6.9 User Mode
- 6.10 Input Controls
- 6.10.1 Input Source
- 6.10.2 Input Meters
- 6.10.3 Input Source Routing
- 6.10.4 Polarity and Phantom Power
- 6.10.5 Stereo Link
- 6.11 Output Assignment Buttons
- 6.11.1 Main/Mono Bus Assignment (StudioLive 64S only)
- 6.11.2 Main/Subgroup Assignment (All 32-Channel StudioLive Models)
- 7 Tape Controls
- 7.1 Pairing a Bluetooth Device
- 8 SD Recording
- 8.1 Creating a New Session for Recording
- 8.2 Loading a Session for Playback
- 8.3 Capture Screen
- 8.3.1 Recording Status Messages
- 8.3.2 Transport Controls
- 8.4 Virtual Sound Check
- 9 Master Control
- 9.1 StudioLive Series III FX Rack
- 9.1.1 The Effects Editor
- 9.1.2 Effects Types
- 9.1.3 Effects Presets
- 9.4 UCNET
- 9.4.1 Mixer Nickname
- 9.4.2 Permissions
- 9.4.3 Software Control
- 9.4.4 Control Network IP Address Settings
- 9.4.5 Transport Controls
- 9.5 DAW Button
- 9.6 Scenes and Projects
- 9.6.1 Creating and Recalling Projects
- 9.6.2 Creating and Recalling Scenes
- 9.6.3 Filters
- 9.6.4 List Editor
- 9.6.5 Scene Safe
- 9.6.6 AutoStore
- 9.6.6 Reset
- 9.6.7 Nulling Parameters
- 10 Monitoring Controls
- 10.1 Solo Controls
- 10.1.1 Solo Modes
- 10.1.2 Using the Solo Bus for Monitoring
- 10.1.3 Using Solo in Place to Set Up a Mix
- 11 Graphic EQ
- 11.1 Assigning GEQs
- 11.2 Using the GEQ
- 11.3 GEQ Presets
- 11.4 Using the RTA to Ring Out Monitors
- 12 Home
- 12.1 System Screen
- 12.1.1 Permissions
- 12.1.2 User Buttons Assigns
- 12.1.3 Fat Channel Load/Paste
- 12.1.4 Firmware Update
- 12.1.5 Link Aux Mutes
- 12.2 User Profiles
- 12.2.1 Default Administrator
- 12.2.2 Creating a New Profile
- 12.2.2 Edit User Permissions
- 12.3 Audio Routing and the Digital Patching Screen
- 12.3.1 Digital Patching: Input Source
- 12.3.2 Digital Patching: Analog Sends
- 12.3.3 Digital Patching: AVB Sends
- 12.3.4 Digital Patching: USB Sends
- 12.3.5 Digital Patching: SD Card
- 12.3.6 Digital Patching: AES
- 12.4 Utilities
- 12.5 Soft Power
- 13 Resources
- 13.1 Networking Overview
- 13.1.1 Wired Ethernet Control Setup
- 13.2 Stereo Microphone Placement
- 13.2.1 Grand Piano
- 13.2.2 Electric Guitar
- 13.2.3 Acoustic Guitar
- 13.2.4 Bass Guitar (Direct and Speaker)
- 13.2.5 Drum Overheads (XY example)
- 13.2.6 Snare Drum (top and bottom)
- 13.3 Compression Setting Suggestions
- 13.3.1 Vocals
- 13.3.2 Percussion
- 13.3.3 Fretted Instruments
- 13.3.4 Keyboards
- 13.3.5 Stereo Mix
- 13.3.6 Effects
- 13.4 EQ Frequency Guides
- 13.4.1 What Frequencies to Cut and Boost
- 13.4.2 Instrument Ranges
- 13.5 EQ Setting Suggestions
- 13.5.1 Vocals
- 13.5.2 Percussion
- 13.5.3 Fretted Instruments
- 13.5.4 Keyboards
- 13.6 Using Input Delay
- 13.6.1 Aligning the Backline with Vocal Mic
- 13.6.2 Aligning Direct and Mic’d Signals
- 13.7 Using Output Delay
- 13.7.1 Front-of-House
- 13.7.2 Delay Systems
- 13.7.3 Aligning Subs to Mains
- 13.8 Sidechaining
- 13.8.1 Sidechaining the Gate
- 13.8.2 Sidechaining the Compressor
- 13.9 Effect Types
- 13.9.1 Reverb and its Parameters
- 13.9.2 Delay and its Parameters
- 13.10 Using the RTA While Mixing
- 14 Technical Information
- 14.1 Specifications
- 14.2 Default Routing
- 14.2.1 Input Source
- 14.2.2 Analog Sends
- 14.2.3 AVB Sends
- 14.2.4 USB Sends
- 14.2.5 SD Card
- 14.3 Block Diagrams
- 14.4 Troubleshooting Information
- 15 Warranty
- 15.1 Warranty Information
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